Dylan’s Alembic: Against the Zeitgeist of Violence and Bluster
(This is my column from the latest edition of CounterPunch Magazine.) As the title of this column suggests, I’m an admirer of Bob Dylan’s work, from the world-shaking epics to the off-the-wall obscurities. But I admit that even I quailed this March when I heard he was about to release yet another collection of classic crooner covers — in a three-record set, no less! I’d enjoyed his first couple of forays into this area, especially the moody “Shadows of the Night,” where he sang with more genuine emotion than he’d shown in years on record. But the thought of 30 more of